Music video director
The music
video director I am analysing is Hype Williams born in 1970 Queens, New York.
Hype Williams is an American music video, screen writer and film director of
African-American descent. He earned the nickname of ‘Hype’ as a child who was
hyperactive and first displayed his work of graffiti which showed off his
interests in colour even then.
Hype
Williams is an extremely successful music video director who has made a large
amount of videos that people listen to and watch even today. He has worked with
some big names in the music industry such as R-Kelly, Jay-Z, Kanye West, Will
Smith and Beyonce.
Hype Williams first recorded music
video was in 1991 by BWP (Bytches With Problems) “We Want Money”. This video
consisted of simple shots and not many quick edits or cuts which may seem far
too simple nowadays was very complex and amazing in the 90’s. They used a lot
of low angle shots and two shots and the affect of the camera spinning really
quickly.
Hype
Williams has a very long list of music videos he has directed. He has worked with
a number of artists and these videos are extremely well known and remembered.
Some examples of these are, R-Kelly “I Believe I Can Fly” (1996), TLC “No
Scrubs” (1999), Kanye West “Gold Digger” (2005), Jay-Z ft Alicia Keys “New
York” (2009) and these are only a selected few. Hype Williams has been an
extremely successful director since the 90’s and is still directing music
videos as his list goes up to the year 2011. He is also a film director and has
a film called ‘Lust’ coming out in 2012 which will be his most previous work
yet.
All the videos I have seen by Hype
Williams are all performance based videos. He always shows the main
performer/singer as they are. Mainly dancing or just singing. They are not
usually telling stories or show wacky visuals.
Hype Williams has some signature
styles which are used a majority of his videos. An example of this is called
the ‘Fisheye lens’. This was an effect on the camera that distorted the camera
view around the central focus. This style was used in videos such as Busta
Rhymes’ “Gimme some more” and Will Smiths “Getting’ Jiggy Wit It”.
However this was dropped by 2003 when Hype experienced his
lowest ever viewing levels since the beginning of his music video director
career.
Another signature style of Hype Williams is one of his better known.
This
Signature style involves putting shots in regular widescreen ratio while a second
shot is split in half horizontally and then placed in the upper and lower bars
of the video. This was used in videos such as Ne-yo’s “So Sick” (2005), LL Cool
J ft J.Lo “Control Myself” (2006) and Beyonce’s “Check On It” (2005).
Hype Williams received MTV’s Video Vanguard Award for his
achievement as a filmmaker in 2006 and is being nominated for Video Director of
the Year at the BET Awards of 2011.
Since 2003, Hype
has adapted a new style which is a style combining a centre camera focus on the
artist or artists body and a solid background colour with a soft different
coloured light in the background to give a sense of illumination of the
background by the foreground subject. This style is shown in Beyonce’s “Video
Phone” (2009) and Kanye West’s “Gold Digger” (2005)
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